Brewers have long appreciated the value of hops from the Pacific northwest, but it was Cascade, a variety practically synonymous with craft brewing, that made the area more generally famous among beer drinkers. Cascade was named for the Cascade Range, which runs down the west coast of North America. The home of the Cascade hop is the Willamette valley, roughly halfway between the mountains and the coast. Cascade was released in 1972, but the history of hops in the Willamette valley goes back to the 1830s. The industry has seen more than its fair share of ups and downs, all examined by historian Peter Kopp in his book Hoptopia.
The whole question of changing tastes in beer, and how that affects the fortunes of different hops, is fascinating. If you’ve been a listener forever, you may remember a very early Eat This Podcast, about the rediscovery of an English hop known prosaically as OZ97a. Deemed too hoppy and abandoned when first tried, the vogue for craft beers resurrected its fortunes. It’s a fun story, though I say so myself.
Cover photo is Ezra Meeker, the early grower of hops in the Willamette valley who pioneered the global marketing of Oregon hops. The booming hop business made him the territory’s first millionnaire, and perhaps also its biggest bust. Hop King: Ezra Meeker’s Boom Years chronicles that part of his long, rich life.
I had a roommate in college from the Czech Republic who fondly remembered spending time on hops farms picking what he called the county’s “green gold”. It’s interesting to think about the economic and cultural differences and norms built up around such a product. I hadn’t known that the Pacific Northwest figured so prominently in production and find it amazing that the economic timing for the industry was so fortuitous.
Dairy cows unavoidably produce male calves that are of no use to the dairy industry. They used to end up as veal, and in 1960, Britons ate more than 600,000 calves worth of the stuff. By the 1980s, that had dropped to less than 35,000. Ten years ago, a UK trade magazine said that “public opinion … generally regards veal as ethically somewhere between dodo omelettes and panda fritters”.
And yet, today there’s no shortage of veal and no surplus of dairy bullocks.
Time was when veal calves were kept in the dark. These days, it may be the shoppers who have helped to solve the problem of surplus male dairy calves. Behind the shift is a complicated story of moral outrage, utterly unpredictable disease outbreaks and the willingness of some strange bedfellows to work together to solve a difficult problem for the food supply system.
Notes
Gillian Hopkinson is a senior lecturer at Lancaster University School of Management.
Banner photo of two Dutch dairy calves by Peter Nijenhuis and cover by debstreasures.
The realities of milk and beef production may not always square with our societal morality. Things are more complicated than they may seem and require second and third level thought and problem solving to come up with worthwhile solutions. I remember outcry when I was younger and knew that things had shifted, but haven’t heard any follow up stories until now. Glad to know that things seem to have reached some sort of equilibrium that seems generally acceptable.
The former Yahoo chief is renting Google’s original office, where “there’s a lot of good juju,” and planning her next act. She just won’t say what it is.
Some interesting tidbits here on the historical perspective, but it would have more power if we knew what the next thing really was. Feels too much like she had a well connected publicist place it just to keep her in the public eye, but that’s just the Hollywood cynic in me talking.
Time was, not so long ago, when you could barely move on the Thames in London for ships and boats of all shapes and sizes. Goods flowed in from the Empire in tall-masted sailing ships and stocky steamers and were transferred to barges and lighters for moving on. The canals, too, were driven by, and served, the industrial revolution, bringing coal and other raw materials to factories and taking away the finished goods by water, the cheapest and quickest system for bulk transport. By the late 1960s, much of the waterborne traffic had gone. Ships unloaded in the docks and goods were transferred by road and rail. A bit of freight continued to move on the water, some of that in the hands of Tam and Di Murrell. Di Murrell’s new book, Barges & Bread: canals & grain to bread & baking traces the interwined development of the grain trade and bread as it played out in the Thames basin and beyond.
The importance of bread (and beer) to the people is encapsulated in the Assize of Bread and Ale, a statue of 1266 (though it appears to have codified earlier laws) and the first law in England to deal with food. Loaves were sold by size for a penny, a half-penny and, most commonly, a farthing (quarter of a penny). The finer the flour, the smaller the loaf you got at each price point. The price of grain naturally varied from year to year and from place to place, but the Assize fixed not the price but the weight of a penny loaf and also regulated in minute detail the baker’s profit and allowable expenses.
Very roughly, if the price of wheat was 12 pence a quarter (a quarter weighing 240 pounds) then the baker had to ensure that a farthing loaf of the best white bread, called Wastel bread, weighed 5.6 pounds. Wastel bread was not the most expensive. Simnel bread, “because it has been baked twice,” cost a bit more and so called French bread, enriched with milk and eggs, a bit more still. The coarsest “bread of common wheat” was less than half the cost of wastel bread.
From every quarter of wheat, the baker was permitted to sell 418 pounds of bread. Anything he could squeeze above that was called advantage bread, and was essentially pure profit. There was, naturally, every incentive for bakers and millers alike to add all sorts of things to increase the weight of flour and bread.
It is the connection between money and the weight of bread that is most intriguing. Weights, like money, were expressed as pounds. A pound in money was the pound-weight of silver, while the penny – the only coin in circulation – was a pennyweight of silver. But how much was a penny weight? 32 Wheat Corns in the midst of the Ear according to the Assize of Bread and Ale, which then explained that the 20 pence-weight made an ounce, and 12 ounces made one pound.
Notes
Di Murrell’s book Barges & Bread: canals & grain to bread & baking,is available from Amazon and elsewhere, including direct from the publisher, Prospect Books.
If you really want to get to grips with the Assize of Bread, you need to read Alan S. C. Ross. “The Assize of Bread.” The Economic History Review, vol. 9, no. 2, 1956, pp. 332–342. JSTOR.
Incidental music is the Impromptu from Zez Confrey’s Three Little Oddities, played by Rowan Belt
Sad that they managed to win their court case for shipping grain, but were still frozen out of the market.
Journalist John Dickerson (CBS This Morning (1992)); TV personality Charlamagne Tha God; author Nell Scovell
If you had asked me years ago when I started my website/blog if I’d ever have over a few hundred comments or reactions to the content on it, I would have said you were crazy. Today, with the help of Webmention and tools like Brid.gy, I’ve just passed the 9,000 reactions mark (and added many new friends in the process)!
I’ll send along special thanks to simple open web standards and the IndieWeb community for vastly improving my online communication.
Currently SemPress is listed as the only theme that is fully microformats2 compliant, but its style is very distinct and will not appeal to everyone. Many indieweb WP sites use twentysixteen or Independent Publisher. I have tried many combinations of the last 2 with the mf2 plugin, and ended up having to edit the theme code to get everything working. Would be great to have more options for themes that "just work". :)
A few random tips/pointers:
@GWG has put out a very customized version of his Twenty Sixteen Theme on Github. For those who have some development skills or are willing to look at examples to try changes themselves, the commit history of this particular theme is very enlightening and does a reasonable step-by-step job of providing snapshots of what he changed in Twenty Sixteen to make it more IndieWeb-friendly. For most themes, one may not want to go as far as he did to remove Post Formats in favor of Post Kinds for greater flexibility, but most of the rest is pretty useful and solid as an example if one is converting/forking other popular themes to make them more IndieWeb friendly.
There are a number of very IndieWeb-friendly themes and even child themes listed on the Themes page of the wiki. Most of these should “just work” though a few may have small bugs which could be filed to their respective repositories to improve them.
It’s generally recommended not to use the mf2 plugin with themes which are already very IndieWeb-friendly as it can cause issues or have unintended consequences. That plugin is generally better used when themes only have the minimal microformats v1 code which is added by WordPress core.
There are also lots of details and brainstorming for improving themes in general on the wiki page for WordPress/Development/#Themes.
Directed by Rob J. Greenlea. With Téa Leoni, Tim Daly, Keith Carradine, Patina Miller. As the 20th anniversary of the embassy bombing in Uganda approaches, emotions run high among the State Department staff, who had personal connections to lives lost that day, including Elizabeth, who must decide if the United States should lift sanctions against the country deemed responsible. Also, Henry tries to help Jason break up with Piper.
Directed by Martha Mitchell. With Téa Leoni, Tim Daly, Keith Carradine, Patina Miller. Phase 2 of Elizabeth's deal with Iran is put in jeopardy when a Senator claims that money from Phase 1 was used in a bombing that killed a US citizen. Henry mulls over whether to accept the chair of the new military ethics department.
Directed by Sam Hoffman. With Téa Leoni, Tim Daly, Keith Carradine, Patina Miller. Negotiations for an agreement to combat gang violence in South America become complicated when the US's partner is complicit in a kidnapping. Elizabeth worries she is no longer fun.