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Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
Dead Souls
Writers Love the World’s Oldest (and Most Obvious) Metaphor
Zain Khalid on Books That Are Obsessed With Death
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Zain Khalid
| July 12, 2022
Why We Should Read About the Soviet Past In Order to Understand Ukraine Now
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Sofi Oksanen
| March 9, 2022
What Does It Mean To Be Russian? On Dostoevsky’s Early Literary Ambitions
Kevin Birmingham Investigates State Censorship Under Czar Nicholas
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In Defense of Poetic Plagiarism
Sam Riviere on the Foundational Practices of Collaboration and Copying
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Sam Riviere
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Midnight’s Children,
Forty Years Later">
Midnight’s Children,
Forty Years Later">
Midnight’s Children,
Forty Years Later">Bollywood or Bust: Salman Rushdie on the World of
Midnight’s Children
,
Forty Years Later
“I wanted to write a novel of vaulting ambition, a high-wire act with no safety net, an all-or-nothing effort.”
By
Salman Rushdie
| April 14, 2021
Why Do We Love Reading About Cheaters and Schemers?
Art Forgery, Faked Deaths, and More: A Reading List
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Joe Mungo Reed
| June 20, 2018
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