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Finding the Glow Within: What Biology and Fiction Writing Have In Common

Finding the Glow Within: What Biology and Fiction Writing Have In Common

Janie Kim on the Pursuit of Open-Ended Questions in Science and Literature

By Janie Kim | July 8, 2024

Breaking English Open: On Privileging Sound Over Sense

Breaking English Open: On Privileging Sound Over Sense

Moriel Rothman-Zecher Makes the Case Against Italicizing Non-English Words

By Moriel Rothman-Zecher | July 8, 2024

Bridging the Gaps: On Writing and Revising a Novel in Two Languages

Bridging the Gaps: On Writing and Revising a Novel in Two Languages

Julia Malye Explores Her Personal and Literary Relationship with French and English

By Julia Malye | June 21, 2024

How Much of This is True? On the Subtle Nuances of Memoir and Autofiction

How Much of This is True? On the Subtle Nuances of Memoir and Autofiction

“We are all unreliable narrators, recounting our stories through the filters of perception and memory.”

By Matt Young | June 18, 2024

In the Beginning... Why Every Novel Needs an Origin Story

In the Beginning... Why Every Novel Needs an Origin Story

Patrick Nathan on the Process of Creating New Fictional Universes

By Patrick Nathan | June 17, 2024

Duty of Care: Tomas Moniz on Trauma, Healing and Houseplants

Duty of Care: Tomas Moniz on Trauma, Healing and Houseplants

“I discovered something different through the trauma. We learn to grieve by grieving.”

By Tomas Moniz | June 12, 2024

Best Reviewed
Books of the Week

  • Joyride: A Memoir
  • A Guardian and a Thief
  • Minor Black Figures
  • True Nature: The Pilgrimage of Peter Matthiessen
  • The Wayfinder
  • Unabridged: The Thrill of (and Threat To) the Modern Dictionary

Between Languages: Yukiko Tominaga on Writing in English and Japanese

By Yukiko Tominaga | May 31, 2024

Art as Inspiration: How Collage Can Help Create Compelling Characters

By Emma Copley Eisenberg | May 28, 2024

On the Joys of Following Literary Instinct Wherever It Leads

By Leah Hager Cohen | May 22, 2024

Drifters, Searchers and Observers: In Praise of Quietly Unlikable Women

Drifters, Searchers and Observers: In Praise of Quietly Unlikable Women

Mesha Maren on the Sisters of Longing Who Inspire Her Work

By Mesha Maren | May 21, 2024

The Thrill of Discovery: How Hidden Messages Make Fiction Fun

The Thrill of Discovery: How Hidden Messages Make Fiction Fun

J. Nicole Jones on the Writers Who Create Literary Puzzles and the Readers Who Solve Them

By J. Nicole Jones | May 20, 2024

Better in the Middle: Eight Writing Hacks From a Mid-List Author

Better in the Middle: Eight Writing Hacks From a Mid-List Author

Anna Dorn Offers Some Subjective Tidbits For Writers At Any Stage of Their Journey

By Anna Dorn | May 17, 2024

Who Will Finish Your Manuscript When You Die?

Who Will Finish Your Manuscript When You Die?

Tessa Fontaine on the Ways Writers Can Prepare For the Worst Case Scenario

By Tessa Fontaine | May 14, 2024

How the Beloved Memory of Dead Pets Can Help Guide the Writing Process

How the Beloved Memory of Dead Pets Can Help Guide the Writing Process

Simon Van Booy on Letting Go and Following the Story Wherever It Takes Him

By Simon Van Booy | May 9, 2024

Writing With “Sprezz.” On the Art of Saying Just Enough

Writing With “Sprezz.” On the Art of Saying Just Enough

Magdalena Zyzak Wonders If It’s Possible to Craft Effortlessly Cool Prose

By Magdalena Zyzak | May 7, 2024

A Daughter Becomes a Mother: On Inhabiting Both Roles in Fiction and in Life

A Daughter Becomes a Mother: On Inhabiting Both Roles in Fiction and in Life

Heidi Reimer: “A mother is also a daughter. A daughter may eventually become a mother. Then, forever, she is both."

By Heidi Reimer | May 6, 2024

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