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The Sense of an Ending"> Watch an Exclusive Clip from <em

Watch an Exclusive Clip from <em

The Sense of an Ending">

The Sense of an Ending">Watch an Exclusive Clip from The Sense of an Ending

Adapted from the Julian Barnes Novel, Starring Jim Broadbent and Charlotte Rampling

By Emily Temple | March 2, 2017

Wuthering Heights"> On the Many Film Adaptations of the

On the Many Film Adaptations of the

Wuthering Heights">

Wuthering Heights">On the Many Film Adaptations of the "Unfilmable" Wuthering Heights

And How They Change Our Understanding of the Original Text

By Craig Hubert | February 24, 2017

Your Literary Guide to the 2017 Academy Awards

Your Literary Guide to the 2017 Academy Awards

Because Hollywood Would Basically be Irrelevant Without Books

By Emily Temple | February 23, 2017

I Am Not Your Negro"> Totally, Radically Baldwin: Raoul Peck on <em

Totally, Radically Baldwin: Raoul Peck on <em

I Am Not Your Negro">

I Am Not Your Negro">Totally, Radically Baldwin: Raoul Peck on I Am Not Your Negro

Craig Hubert Interviews the Director about his Oscar-Nominated Documentary

By Craig Hubert | February 2, 2017

Your Literary Guide to the Sundance Film Festival

Your Literary Guide to the Sundance Film Festival

André Aciman, Alejandro Zambra, Nikolai Leskov, J.D. Salinger and more

By Emily Temple | January 18, 2017

Your Essential Literary Guide to the 2017 Golden Globes

Your Essential Literary Guide to the 2017 Golden Globes

How to Sound Book Smart at Your Viewing Party This Weekend

By Emily Temple | January 6, 2017

Best Reviewed
Books of the Week

Mike Mills on Talking to Ghosts and Writing Women

By Peter Nowogrodzki | January 6, 2017

Paterson">Why Every Aspiring Writer Should Go See Paterson

By Emily Temple | January 5, 2017

The Year in Literary Adaptations (And What's on the Horizon)

By Peter Nowogrodzki | December 28, 2016

Hidden Figures author Margot Lee Shetterly on History, Intersectionality, and Adaptation"> <em

<em

Hidden Figures author Margot Lee Shetterly on History, Intersectionality, and Adaptation">

Hidden Figures author Margot Lee Shetterly on History, Intersectionality, and Adaptation">Hidden Figures author Margot Lee Shetterly on History, Intersectionality, and Adaptation

"All of us contribute to history"

By Kristen O'Neal | December 21, 2016

Pedro Almodóvar on Adapting Alice Munro for the Screen

Pedro Almodóvar on Adapting Alice Munro for the Screen

"Munro’s inspiration has meant a real moral, aesthetic, and tonal adventure"

By Pedro Almodóvar | December 15, 2016

Turning a Book Into a Movie is Like Making Booze

Turning a Book Into a Movie is Like Making Booze

In the Name of the Father">Terry George on the Distillation Process Behind In the Name of the Father

By Terry George | December 8, 2016

The Ways in Which I'd Like to Get Attacked By a Bear

The Ways in Which I'd Like to Get Attacked By a Bear

Jouissance">Steven Church on Ecstatic Violence and Jouissance

By Steven Church | November 30, 2016

Arrival, the Boredom of Moviemaking, and The Princess Bride"> Ted Chiang on <em

Ted Chiang on <em

Arrival, the Boredom of Moviemaking, and The Princess Bride">

Arrival, the Boredom of Moviemaking, and The Princess Bride">Ted Chiang on Arrival, the Boredom of Moviemaking, and The Princess Bride

In Conversation with a Writer Seeing His Work on the Big Screen

By Peter Nowogrodzki | November 29, 2016

Robert Bresson: 'I'm not a director. I am a filmmaker.'

Robert Bresson: 'I'm not a director. I am a filmmaker.'

Bresson and François-Régis Bastide in Conversation

By Literary Hub | November 17, 2016

Inferno So You Don’t Have To"> We Sent a Poet To Watch <em

We Sent a Poet To Watch <em

Inferno So You Don’t Have To">

Inferno So You Don’t Have To">We Sent a Poet To Watch Inferno So You Don’t Have To

Mary Jo Bang Takes in Tom Hanks on a Friday Night in Missouri

By Peter Nowogrodzki | November 17, 2016

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