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Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
first person narration
Isabella Hammad: A Book is Like a Letter—Not Often Addressed to Us
6 Great Books of Correspondence
By
Isabella Hammad
| April 22, 2019
Queering the "I": On First-Person LGBTQ Narratives
Garth Greenwell, Martin Pousson, and Others Talk Vulnerability and Shame
By
Ilana Masad
| May 19, 2017
Putting the "I" in Biography
John Kaag on Biography-Memoir Hybrids and the Myth of Objectivity
By
John Kaag
| March 22, 2017
Katie Kitamura on Ambition, Morality, and Writing Ugly
A Separation">Bethanne Patrick in conversation with the author of
A Separation
By
Bethanne Patrick
| February 7, 2017
Zadie Smith on Female Friendship, Conspiracy Theories, and Musicals
Swing Time">Lauren Bufferd Speaks With the Author of
Swing Time
By
Lauren Bufferd
| November 22, 2016
How I Spent My Summer Vacation: With Ferrante and Knausgaard
On the Impossible Allure of First Person Narcissists
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Stephanie Grant
| September 7, 2016
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"Not much happens In fact there is much in the text that is not made…"