Carey, 2020 - Google Patents
A Story of Connections: Gilbert Adrian and Thomas DorseyCarey, 2020
- Document ID
- 9724243870970770394
- Author
- Carey L
- Publication year
External Links
Snippet
Costumer and fashion designer Gilbert Adrian (1903-1959) may be best known for his distinctive suits and dramatic costumes, but a key element of his success was in his masterful construction techniques and appreciation of textiles. Adrian's innovative designs …
- 239000004753 textile 0 abstract description 89
Similar Documents
| Publication | Publication Date | Title |
|---|---|---|
| Mathur | India by design: Colonial history and cultural display | |
| Jorgensen et al. | Creating the Illusion: A Fashionable History of Hollywood Costume Designers | |
| Mansel | The Eagle in Splendour: Inside the Court of Napoleon | |
| Rowlands | A dash of daring: Carmel Snow and her life in fashion, art, and letters | |
| Leddick | Intimate Companions: A Triography of George Platt Lynes, Paul Cadmus, Lincoln Kirstein, and Their Circle | |
| Carey | A Story of Connections: Gilbert Adrian and Thomas Dorsey | |
| Westwood | Get a life: The diaries of Vivienne Westwood | |
| Wilson | Marc Chagall | |
| Clarke | Dressing for the Camera: Queen Victoria's Māori Subjects and the Māori Party Tour of England, 1863 | |
| Smith | Horace Poolaw, Photographer of American Indian Modernity | |
| Walters | The women of Beaver Hall: Canadian modernist painters | |
| Hutchinson | Progressive primitivism: race, gender and turn-of-the-century American art | |
| Michelman | Dress in Kalabari women's societies | |
| Temple | " With Much Brilliancy and Taste" Material, Memory, and Revival of the Meschianza 1778–1924 | |
| Finlay | Picturing Victorian America: Prints by the Kellogg Brothers of Hartford, Connecticut, 1830-1880 | |
| Graddy et al. | The Smithsonian First Ladies Collection | |
| Parezo | The Indian fashion show: Manipulating representations of native attire in museum exhibits to fight stereotypes in 1942 and 1998 | |
| Gu | Photography and Its Worlds | |
| Gustin | Picturing Reform: Ashcan Women and the Visual Culture of the Progressive Era in New York City | |
| Montiel | Native American Expressive Arts | |
| Navratil | Native American chic: The marketing of Native Americans in New York between the world wars | |
| Kelley | (Re) using Byzantine textiles: adapting and reinventing material identities through the connected Mediterranean, seventh–twelfth centuries | |
| Wallach | Traces of a Jewish Artist: The Lost Life and Work of Rahel Szalit | |
| DeGregorio | Materializing Manners: Fashion, Period Rooms, and Gentility at the Museum of the City of New York, 1923–1958 | |
| Richer et al. | Coco Chanel: Building an Empire–Chanel in Three Acts |