Fink, 1996 - Google Patents
The impact of digital video technology on production: The case of American gothicFink, 1996
- Document ID
- 11617650187641990503
- Author
- Fink E
- Publication year
- Publication venue
- Journal of Film and Video
External Links
Snippet
Video is a significant, pervasive medium of communication, whether it is shown on a computer, tape-recorded, or broadcast to television receivers. Those who produce video programming wield a powerful influ ence on the medium's consumers. The study of video …
- 238000004519 manufacturing process 0 title abstract description 42
Classifications
-
- G—PHYSICS
- G11—INFORMATION STORAGE
- G11B—INFORMATION STORAGE BASED ON RELATIVE MOVEMENT BETWEEN RECORD CARRIER AND TRANSDUCER
- G11B27/00—Editing; Indexing; Addressing; Timing or synchronising; Monitoring; Measuring tape travel
- G11B27/02—Editing, e.g. varying the order of information signals recorded on, or reproduced from, record carriers
- G11B27/031—Electronic editing of digitised analogue information signals, e.g. audio or video signals
- G11B27/034—Electronic editing of digitised analogue information signals, e.g. audio or video signals on discs
-
- G—PHYSICS
- G11—INFORMATION STORAGE
- G11B—INFORMATION STORAGE BASED ON RELATIVE MOVEMENT BETWEEN RECORD CARRIER AND TRANSDUCER
- G11B27/00—Editing; Indexing; Addressing; Timing or synchronising; Monitoring; Measuring tape travel
- G11B27/02—Editing, e.g. varying the order of information signals recorded on, or reproduced from, record carriers
- G11B27/031—Electronic editing of digitised analogue information signals, e.g. audio or video signals
- G11B27/036—Insert-editing
-
- G—PHYSICS
- G11—INFORMATION STORAGE
- G11B—INFORMATION STORAGE BASED ON RELATIVE MOVEMENT BETWEEN RECORD CARRIER AND TRANSDUCER
- G11B27/00—Editing; Indexing; Addressing; Timing or synchronising; Monitoring; Measuring tape travel
- G11B27/10—Indexing; Addressing; Timing or synchronising; Measuring tape travel
- G11B27/34—Indicating arrangements
-
- G—PHYSICS
- G11—INFORMATION STORAGE
- G11B—INFORMATION STORAGE BASED ON RELATIVE MOVEMENT BETWEEN RECORD CARRIER AND TRANSDUCER
- G11B27/00—Editing; Indexing; Addressing; Timing or synchronising; Monitoring; Measuring tape travel
- G11B27/10—Indexing; Addressing; Timing or synchronising; Measuring tape travel
- G11B27/19—Indexing; Addressing; Timing or synchronising; Measuring tape travel by using information detectable on the record carrier
- G11B27/28—Indexing; Addressing; Timing or synchronising; Measuring tape travel by using information detectable on the record carrier by using information signals recorded by the same method as the main recording
-
- G—PHYSICS
- G11—INFORMATION STORAGE
- G11B—INFORMATION STORAGE BASED ON RELATIVE MOVEMENT BETWEEN RECORD CARRIER AND TRANSDUCER
- G11B27/00—Editing; Indexing; Addressing; Timing or synchronising; Monitoring; Measuring tape travel
- G11B27/10—Indexing; Addressing; Timing or synchronising; Measuring tape travel
- G11B27/102—Programmed access in sequence to addressed parts of tracks of operating record carriers
- G11B27/105—Programmed access in sequence to addressed parts of tracks of operating record carriers of operating discs
-
- H—ELECTRICITY
- H04—ELECTRIC COMMUNICATION TECHNIQUE
- H04N—PICTORIAL COMMUNICATION, e.g. TELEVISION
- H04N9/00—Details of colour television systems
- H04N9/79—Processing of colour television signals in connection with recording
- H04N9/80—Transformation of the television signal for recording, e.g. modulation, frequency changing; Inverse transformation for playback
- H04N9/804—Transformation of the television signal for recording, e.g. modulation, frequency changing; Inverse transformation for playback involving pulse code modulation of the colour picture signal components
-
- G—PHYSICS
- G11—INFORMATION STORAGE
- G11B—INFORMATION STORAGE BASED ON RELATIVE MOVEMENT BETWEEN RECORD CARRIER AND TRANSDUCER
- G11B2220/00—Record carriers by type
- G11B2220/20—Disc-shaped record carriers
- G11B2220/25—Disc-shaped record carriers characterised in that the disc is based on a specific recording technology
- G11B2220/2537—Optical discs
-
- H—ELECTRICITY
- H04—ELECTRIC COMMUNICATION TECHNIQUE
- H04N—PICTORIAL COMMUNICATION, e.g. TELEVISION
- H04N5/00—Details of television systems
- H04N5/76—Television signal recording
- H04N5/84—Television signal recording using optical recording
-
- G—PHYSICS
- G06—COMPUTING; CALCULATING; COUNTING
- G06F—ELECTRICAL DIGITAL DATA PROCESSING
- G06F17/00—Digital computing or data processing equipment or methods, specially adapted for specific functions
- G06F17/30—Information retrieval; Database structures therefor; File system structures therefor
- G06F17/30017—Multimedia data retrieval; Retrieval of more than one type of audiovisual media
Similar Documents
| Publication | Publication Date | Title |
|---|---|---|
| Fossati | From Grain to Pixel: The Archival Life of Film in Transition THIRD REVISED EDITION | |
| Musburger et al. | Introduction to media production: the path to digital media production | |
| Dinur | The Filmmaker's Guide to Visual Effects: The Art and Techniques of VFX for Directors, Producers, Editors and Cinematographers | |
| Sun | A study of artificial intelligence in the production of film | |
| Clark et al. | Guide to postproduction for TV and film: managing the process | |
| US20250232233A1 (en) | System and Method for Development and Management of Entertainment Projects | |
| Jacobson | Mastering Multi-Camera Techniques: From Pre-Production to Editing to Deliverable Masters | |
| Fadhil Alfarraji et al. | Role Of The Production Designer In Filmmaking--The Pre-Production Of Narrative Film As A Case Study. | |
| Fink | The impact of digital video technology on production: The case of American gothic | |
| US8346060B2 (en) | Audiovisual production and editing system and method | |
| Clark et al. | The Guide to Managing Postproduction for Film, TV, and Digital Distribution: Managing the Process | |
| Silverman | The new post production workflow: Today and tomorrow | |
| Kryeziu | The Process of Creating a Cinematographic Work | |
| Tomlinson | Digitexed television news: the beginning of the end for photographic reality in photojournalism | |
| Ikonomi | Tv commercial: Concept and production structure | |
| Lauber | History and Ethics of Film Restoration | |
| Ikonomi | TV COMERCIAL PRODUCTION STRUCTURE FOR LIMITED BUDGET | |
| Bonny | Automate to Create: Simplifying Workflows in Small Film Productions | |
| La Manna | Changes and Evolution in Audiovisual Production: The impact of digital and virtual technologies on standards and practices | |
| Dykhoff | Why use Linear Workflows with Non-linear Tools? | |
| Humphries | Beyond the Frame | |
| Collins | “By the Way, Meet Vera Stark”: An Exploration of Process, Film, and Collaboration | |
| Dowhal et al. | Producing a video on a technical subject: a guide | |
| Kellogg et al. | A practical guide to working with edited video | |
| Singleton-Turner | Getting it all together |