Hopgood et al., 2020 - Google Patents
Synesthetic: Composing Works for Marimba and Automated LightingHopgood et al., 2020
View PDF- Document ID
- 13152990025708285241
- Author
- Hopgood C
- Martin C
- Grétarsson G
- Publication year
External Links
Snippet
This paper describes a series of explorations aimed at developing new modes of performance using percussion and computer-controlled lighting, linked by electronic sensing technology. Music and colour are often imagined to be related and parallels have …
- 239000000203 mixture 0 abstract description 18
Classifications
-
- G—PHYSICS
- G09—EDUCATION; CRYPTOGRAPHY; DISPLAY; ADVERTISING; SEALS
- G09B—EDUCATIONAL OR DEMONSTRATION APPLIANCES; APPLIANCES FOR TEACHING, OR COMMUNICATING WITH, THE BLIND, DEAF OR MUTE; MODELS; PLANETARIA; GLOBES; MAPS; DIAGRAMS
- G09B15/00—Teaching music
- G09B15/02—Boards or like means for providing an indication of notes
- G09B15/04—Boards or like means for providing an indication of notes with sound emitters
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
- G10H1/00—Details of electrophonic musical instruments
- G10H1/0033—Recording/reproducing or transmission of music for electrophonic musical instruments
- G10H1/0041—Recording/reproducing or transmission of music for electrophonic musical instruments in coded form
- G10H1/0058—Transmission between separate instruments or between individual components of a musical system
-
- G—PHYSICS
- G09—EDUCATION; CRYPTOGRAPHY; DISPLAY; ADVERTISING; SEALS
- G09B—EDUCATIONAL OR DEMONSTRATION APPLIANCES; APPLIANCES FOR TEACHING, OR COMMUNICATING WITH, THE BLIND, DEAF OR MUTE; MODELS; PLANETARIA; GLOBES; MAPS; DIAGRAMS
- G09B15/00—Teaching music
- G09B15/001—Boards or like means for providing an indication of chords
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
- G10H1/00—Details of electrophonic musical instruments
- G10H1/0033—Recording/reproducing or transmission of music for electrophonic musical instruments
- G10H1/0083—Recording/reproducing or transmission of music for electrophonic musical instruments using wireless transmission, e.g. radio, light, infrared
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
- G10H1/00—Details of electrophonic musical instruments
- G10H1/0008—Associated control or indicating means
-
- G—PHYSICS
- G09—EDUCATION; CRYPTOGRAPHY; DISPLAY; ADVERTISING; SEALS
- G09B—EDUCATIONAL OR DEMONSTRATION APPLIANCES; APPLIANCES FOR TEACHING, OR COMMUNICATING WITH, THE BLIND, DEAF OR MUTE; MODELS; PLANETARIA; GLOBES; MAPS; DIAGRAMS
- G09B23/00—Models for scientific, medical, or mathematical purposes, e.g. full-sized devices for demonstration purposes
- G09B23/28—Models for scientific, medical, or mathematical purposes, e.g. full-sized devices for demonstration purposes for medicine
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
- G10H2220/00—Input/output interfacing specifically adapted for electrophonic musical tools or instruments
- G10H2220/155—User input interfaces for electrophonic musical instruments
-
- G—PHYSICS
- G09—EDUCATION; CRYPTOGRAPHY; DISPLAY; ADVERTISING; SEALS
- G09B—EDUCATIONAL OR DEMONSTRATION APPLIANCES; APPLIANCES FOR TEACHING, OR COMMUNICATING WITH, THE BLIND, DEAF OR MUTE; MODELS; PLANETARIA; GLOBES; MAPS; DIAGRAMS
- G09B19/00—Teaching not covered by other main groups of this subclass
-
- G—PHYSICS
- G09—EDUCATION; CRYPTOGRAPHY; DISPLAY; ADVERTISING; SEALS
- G09B—EDUCATIONAL OR DEMONSTRATION APPLIANCES; APPLIANCES FOR TEACHING, OR COMMUNICATING WITH, THE BLIND, DEAF OR MUTE; MODELS; PLANETARIA; GLOBES; MAPS; DIAGRAMS
- G09B5/00—Electrically-operated educational appliances
- G09B5/06—Electrically-operated educational appliances with both visual and audible presentation of the material to be studied
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
- G10H1/00—Details of electrophonic musical instruments
- G10H1/36—Accompaniment arrangements
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
- G10H2210/00—Aspects or methods of musical processing having intrinsic musical character, i.e. involving musical theory or musical parameters or relying on musical knowledge, as applied in electrophonic musical tools or instruments
- G10H2210/101—Music Composition or musical creation; Tools or processes therefor
- G10H2210/151—Music Composition or musical creation; Tools or processes therefor using templates, i.e. incomplete musical sections, as a basis for composing
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10G—AIDS FOR MUSIC; SUPPORTS FOR MUSICAL INSTRUMENTS; OTHER AUXILIARY DEVICES OR ACCESSORIES FOR MUSIC OR MUSICAL INSTRUMENTS
- G10G1/00—Means for the representation of music
Similar Documents
| Publication | Publication Date | Title |
|---|---|---|
| Mazzola et al. | Musical creativity: Strategies and tools in composition and improvisation | |
| Paine | Towards unified design guidelines for new interfaces for musical expression | |
| Brown | Noise orders: Jazz, improvisation, and architecture | |
| Brown | Scratch music projects | |
| Udow | Percussion Pedagogy: A Practical Guide for Studio Teachers | |
| Hopgood et al. | Synesthetic: Composing Works for Marimba and Automated Lighting | |
| Pierce | Color in Music | |
| Novello | The Contemporary Keyboardist and Expanded | |
| Nkosi et al. | Modern African classical drumming: Contemporary African drumming practice for a multicultural music curriculum | |
| Searle | Challenging creativity: Inclusive composition | |
| JP7290355B1 (en) | Performance data display system | |
| Nicolls | Interacting with the Piano | |
| Baird | The Application of Venezuelan Maracas in Western Art and Contemporary Music | |
| Stemple | The concept of" flow" in brass pedagogy: its history and interrelationship with the theories of Mihaly Csikszentmihalyi | |
| Beard | Reconceptualising the performer in new music theatre: collaborations with actors, mimes and musicians | |
| Liu | A Synthesis of Western Classical Tradition and Russian Musical Identity in Tchaikovsky’s Grand Sonata in G Major, Op. 37 and Explorations of Extended Techniques and New Pianistic Sonorities in Ziang Han’s Stretched Afar Over The Dome of Eternity II | |
| Fabian | Performing music: written traditions | |
| Ching | Traditions in a New Guise: The Solo and Collaborative Piano Works of Hong Kong Composers Lok Yin Tang and Pauline Ng | |
| Mazzola et al. | Computational Music Science | |
| Maharg | The development and appraisal of a course in choral music | |
| Kilburn | Pedagogical approaches to conducting gesture in contemporary music | |
| BUTKE et al. | DALCROZE EURHYTHMICS | |
| Yu | The Relationship between the Remains of the 19th Century Flute and the Musical Style of the Time: Taking the Flute of the Paris Conservatory as an Example | |
| Chung | Igor Stravinsky's three movements from Petrushka: an analysis of performance practice | |
| Bakri | Pedalization: types, characteristics, and techniques of the right piano pedal |