[go: up one dir, main page]

Zhao et al., 2014 - Google Patents

Tunerank model for main melody extraction from multi-part musical scores

Zhao et al., 2014

View PDF
Document ID
15852468964067183466
Author
Zhao H
Qin Z
Publication year
Publication venue
2014 sixth international conference on intelligent human-machine systems and cybernetics

External Links

Snippet

A musical part is a strand of music played by an individual instrument within a larger music work, main melody is a single musical part which consists of the most significant melodic elements of multi-part musical score. This part is typically related to dissonance between …
Continue reading at www.researchgate.net (PDF) (other versions)

Classifications

    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
    • G10H1/00—Details of electrophonic musical instruments
    • G10H1/36—Accompaniment arrangements
    • G10H1/38—Chord
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
    • G10H2210/00—Aspects or methods of musical processing having intrinsic musical character, i.e. involving musical theory or musical parameters or relying on musical knowledge, as applied in electrophonic musical tools or instruments
    • G10H2210/031—Musical analysis, i.e. isolation, extraction or identification of musical elements or musical parameters from a raw acoustic signal or from an encoded audio signal
    • G10H2210/066—Musical analysis, i.e. isolation, extraction or identification of musical elements or musical parameters from a raw acoustic signal or from an encoded audio signal for pitch analysis as part of wider processing for musical purposes, e.g. transcription, musical performance evaluation; Pitch recognition, e.g. in polyphonic sounds; Estimation or use of missing fundamental
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
    • G10H2210/00—Aspects or methods of musical processing having intrinsic musical character, i.e. involving musical theory or musical parameters or relying on musical knowledge, as applied in electrophonic musical tools or instruments
    • G10H2210/031—Musical analysis, i.e. isolation, extraction or identification of musical elements or musical parameters from a raw acoustic signal or from an encoded audio signal
    • G10H2210/076—Musical analysis, i.e. isolation, extraction or identification of musical elements or musical parameters from a raw acoustic signal or from an encoded audio signal for extraction of timing, tempo; Beat detection
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
    • G10H1/00—Details of electrophonic musical instruments
    • G10H1/36—Accompaniment arrangements
    • G10H1/40—Rhythm
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
    • G10H2210/00—Aspects or methods of musical processing having intrinsic musical character, i.e. involving musical theory or musical parameters or relying on musical knowledge, as applied in electrophonic musical tools or instruments
    • G10H2210/031—Musical analysis, i.e. isolation, extraction or identification of musical elements or musical parameters from a raw acoustic signal or from an encoded audio signal
    • G10H2210/061—Musical analysis, i.e. isolation, extraction or identification of musical elements or musical parameters from a raw acoustic signal or from an encoded audio signal for extraction of musical phrases, isolation of musically relevant segments, e.g. musical thumbnail generation, or for temporal structure analysis of a musical piece, e.g. determination of the movement sequence of a musical work
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
    • G10H1/00—Details of electrophonic musical instruments
    • G10H1/0033—Recording/reproducing or transmission of music for electrophonic musical instruments
    • G10H1/0041—Recording/reproducing or transmission of music for electrophonic musical instruments in coded form
    • G10H1/0058—Transmission between separate instruments or between individual components of a musical system
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
    • G10H2240/00—Data organisation or data communication aspects, specifically adapted for electrophonic musical tools or instruments
    • G10H2240/121—Musical libraries, i.e. musical databases indexed by musical parameters, wavetables, indexing schemes using musical parameters, musical rule bases or knowledge bases, e.g. for automatic composing methods
    • G10H2240/131—Library retrieval, i.e. searching a database or selecting a specific musical piece, segment, pattern, rule or parameter set
    • G10H2240/141—Library retrieval matching, i.e. any of the steps of matching an inputted segment or phrase with musical database contents, e.g. query by humming, singing or playing; the steps may include, e.g. musical analysis of the input, musical feature extraction, query formulation, or details of the retrieval process
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
    • G10H1/00—Details of electrophonic musical instruments
    • G10H1/0008—Associated control or indicating means
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
    • G10H3/00—Instruments in which the tones are generated by electromechanical means
    • G10H3/12—Instruments in which the tones are generated by electromechanical means using mechanical resonant generators, e.g. strings or percussive instruments, the tones of which are picked up by electromechanical transducers, the electrical signals being further manipulated or amplified and subsequently converted to sound by a loudspeaker or equivalent instrument
    • G10H3/125—Extracting or recognising the pitch or fundamental frequency of the picked up signal
    • G—PHYSICS
    • G06—COMPUTING; CALCULATING; COUNTING
    • G06F—ELECTRICAL DIGITAL DATA PROCESSING
    • G06F17/00—Digital computing or data processing equipment or methods, specially adapted for specific functions
    • G06F17/30—Information retrieval; Database structures therefor; File system structures therefor
    • G06F17/3074—Audio data retrieval
    • G06F17/30743—Audio data retrieval using features automatically derived from the audio content, e.g. descriptors, fingerprints, signatures, MEP-cepstral coefficients, musical score, tempo
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
    • G10H2250/00—Aspects of algorithms or signal processing methods without intrinsic musical character, yet specifically adapted for or used in electrophonic musical processing
    • G10H2250/131—Mathematical functions for musical analysis, processing, synthesis or composition
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10D—STRINGED MUSICAL INSTRUMENTS; WIND MUSICAL INSTRUMENTS; ACCORDIONS OR CONCERTINAS; PERCUSSION MUSICAL INSTRUMENTS; MUSICAL INSTRUMENTS NOT OTHERWISE PROVIDED FOR
    • G10D3/00—Details of, or accessories for, stringed musical instruments, e.g. slide-bars
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10L—SPEECH ANALYSIS OR SYNTHESIS; SPEECH RECOGNITION; SPEECH OR VOICE PROCESSING; SPEECH OR AUDIO CODING OR DECODING
    • G10L17/00—Speaker identification or verification

Similar Documents

Publication Publication Date Title
Benetos et al. A shift-invariant latent variable model for automatic music transcription
US8977374B1 (en) Geometric and acoustic joint learning
Papadopoulos et al. Joint estimation of chords and downbeats from an audio signal
Gulati et al. Automatic tonic identification in Indian art music: approaches and evaluation
Benetos et al. An efficient shift-invariant model for polyphonic music transcription
CN112435642B (en) Melody MIDI accompaniment generation method based on deep neural network
Cogliati et al. Transcribing Human Piano Performances into Music Notation.
Bittner et al. Multitask learning for fundamental frequency estimation in music
Su et al. Sparse modeling of magnitude and phase-derived spectra for playing technique classification
Sentürk et al. Score informed tonic identification for makam music of Turkey
Benetos et al. Automatic transcription of Turkish microtonal music
Yang Computational modelling and analysis of vibrato and portamento in expressive music performance
Heydarian Automatic recognition of Persian musical modes in audio musical signals
Foulon et al. Automatic classification of guitar playing modes
Tsunoo et al. Beyond timbral statistics: Improving music classification using percussive patterns and bass lines
Gajjar et al. Computational musicology for raga analysis in indian classical music: a critical review
Dixon et al. Estimation of harpsichord inharmonicity and temperament from musical recordings
Abeßer et al. Score-Informed Analysis of Intonation and Pitch Modulation in Jazz Solos.
WO2007119221A2 (en) Method and apparatus for extracting musical score from a musical signal
Heydarian et al. Dastgàh recognition in Iranian music: Different features and optimized parameters
Zhao et al. Tunerank model for main melody extraction from multi-part musical scores
Chuan et al. The KUSC classical music dataset for audio key finding
Bantula et al. Jazz ensemble expressive performance modeling
Oliveira et al. Automatic manipulation of music to express desired emotions
De Pasquale et al. Towards Automatic Classification of Sheet Music