Gomery, 2000 - Google Patents
Radio broadcasting and the music industryGomery, 2000
- Document ID
- 18028765553332798990
- Author
- Gomery D
- Publication year
- Publication venue
- Who Owns the Media?
External Links
Snippet
In May 1999, the music industry of listening seemed to being turned upside down when MTV announced it was acquiring Sonicnet music services on the Internet. This symbolized a tidal wave of Internet music providers that would define the next century and compete with the …
- 239000000463 material 0 description 62
Classifications
-
- G—PHYSICS
- G06—COMPUTING; CALCULATING; COUNTING
- G06Q—DATA PROCESSING SYSTEMS OR METHODS, SPECIALLY ADAPTED FOR ADMINISTRATIVE, COMMERCIAL, FINANCIAL, MANAGERIAL, SUPERVISORY OR FORECASTING PURPOSES; SYSTEMS OR METHODS SPECIALLY ADAPTED FOR ADMINISTRATIVE, COMMERCIAL, FINANCIAL, MANAGERIAL, SUPERVISORY OR FORECASTING PURPOSES, NOT OTHERWISE PROVIDED FOR
- G06Q30/00—Commerce, e.g. shopping or e-commerce
- G06Q30/02—Marketing, e.g. market research and analysis, surveying, promotions, advertising, buyer profiling, customer management or rewards; Price estimation or determination
- G06Q30/0241—Advertisement
- G06Q30/0251—Targeted advertisement
-
- G—PHYSICS
- G06—COMPUTING; CALCULATING; COUNTING
- G06Q—DATA PROCESSING SYSTEMS OR METHODS, SPECIALLY ADAPTED FOR ADMINISTRATIVE, COMMERCIAL, FINANCIAL, MANAGERIAL, SUPERVISORY OR FORECASTING PURPOSES; SYSTEMS OR METHODS SPECIALLY ADAPTED FOR ADMINISTRATIVE, COMMERCIAL, FINANCIAL, MANAGERIAL, SUPERVISORY OR FORECASTING PURPOSES, NOT OTHERWISE PROVIDED FOR
- G06Q30/00—Commerce, e.g. shopping or e-commerce
- G06Q30/06—Buying, selling or leasing transactions
- G06Q30/0601—Electronic shopping
-
- G—PHYSICS
- G11—INFORMATION STORAGE
- G11B—INFORMATION STORAGE BASED ON RELATIVE MOVEMENT BETWEEN RECORD CARRIER AND TRANSDUCER
- G11B27/00—Editing; Indexing; Addressing; Timing or synchronising; Monitoring; Measuring tape travel
- G11B27/10—Indexing; Addressing; Timing or synchronising; Measuring tape travel
- G11B27/102—Programmed access in sequence to addressed parts of tracks of operating record carriers
- G11B27/105—Programmed access in sequence to addressed parts of tracks of operating record carriers of operating discs
Similar Documents
| Publication | Publication Date | Title |
|---|---|---|
| Meehan | “Holy commodity fetish, Batman!”: The political economy of a commercial intertext | |
| Waldfogel | Digital renaissance: what data and economics tell us about the future of popular culture | |
| Chapman | Selling the sixties: The pirates and pop music radio | |
| Hull | The music business and recording industry | |
| Hirsch | The structure of the popular music industry | |
| Meenaghan | Current developments & future directions in sponsorship | |
| Wasko | Hollywood in the information age: Beyond the silver screen | |
| Peterson et al. | Cycles in symbol production: The case of popular music | |
| Frith | The popular music industry | |
| Waldfogel | Bye, bye, miss american pie? the supply of new recorded music since napster | |
| US7353270B2 (en) | Media and advertisement distribution and tracking system and method of operation thereof | |
| Owsinski | Music 3.0: A Survival Guide for Making Music in the Internet Age 2nd Edition | |
| Byun et al. | The economics of the popular music industry | |
| Franck et al. | Avoiding ‘star wars’–celebrity creation as media strategy | |
| Mabry | The rise and fall of Ace Records: A case study in the independent record business | |
| Brennan | Live music history | |
| Owsinski | Music 4.1: A survival guide for making music in the Internet age | |
| Gomery | The Hollywood Film Industry: Theatrical Exhibition, Pay TV and Home Video | |
| Cameron et al. | Transaction costs and partnerships: The case of rock bands | |
| Gomery | Radio broadcasting and the music industry | |
| Nurse | The Caribbean music industry | |
| Hatschek et al. | Historical Dictionary of the American Music Industry | |
| Witter | Music and the Jamaican economy | |
| Sokołowski et al. | A comprehensive study of the Polish music market | |
| Peterson et al. | Marketing classic theater in a competitive market of entertainments |